I'm really trying to focus my mind on my big Geology pieces for our group's exhibition in a month's time. The pieces I'm planning will be quilted panels on silk and the fabric is now ready to be painted or printed to represent layers and folds before I begin to stitch. I must begin in earnest if I'm going to get even one of them finished and I have to admit I'm struggling.
I'm not sure whether it's the size, the more structured form of the work or the time pressure that's holding me back. I normally work more intuitively so maybe I've just done too much planning. Yesterday, to change my mood, I tidied my work room - not just a delaying tactic, but much-needed and it's freed my mind a little.
Mono-printed paper manipulated in Photoshop |
I quite like the colours in the first piece (lighter in reality), although I will include more soft yellows to reflect the colour of the Cotswold stone.
Painted papers torn and stuck |
I've also gone back to a small silk-painted piece I did at the start of this project - shown in full in an earlier post. I've enlarged it in Photoshop to help me focus on colour and fold lines. I think also that the handstitch is quite close to the fluid effect I want to achieve.
Silk painted fabric with running stitch to represent folds |
Thanks for your comment. Its amazing what can be done with a bit of torn paper, isn't it.
ReplyDeleteThank you for replying.
ReplyDeleteIt is indeed - I use torn paper a lot when I'm planning and trying out new work. It gives a freedom I don't get with fabric. I sometimes think I should work in paper and stitch ....