Developing an image

On Instagram recently (link in the side bar), I posted these details among others of the tiny Miniature Reflections pieces that I have recently shown hanging in a group in the Lansdown Gallery.

They were developed from an image that I've now worked on further in Photoshop with a view to some new work. Initially, I made the image more and more complex with overlays and duplication and then gradually simplified it again to reach satisfying end points that I could save for future use. 

I use this technique a lot with various others as I develop images for my work. 

1. The original image                                        2.  Duplicate layer added with layer by cut         3. Turned layer added onto first image 

4. Layers mirrored making complex image      5. Two layers, one turned & cropped     6. Simplified image hiding one layer 

I will undoubtedly use these images as I work towards my next piece of new work, most likely choosing from the last three. I will print them onto fabric and manipulate them in the hand (armed with a pair of scissors!) as I piece them with other fabrics. 

 

Monochrome

Our exhbition at Lansdown Gallery in Stroud has now ended without me posting photos of the last two sets of my work so this post is set to remedy that. The theme in both series is monochrome and the striking black / white contrast that it offers. 

First is a group of pieces developed from photographs looking up into an outdoor tented theatre space near Cairns in Queensland Australia. These photos were converted to black and white and manipulated and cropped in Photoshop and then digitally printed onto glossy photographic paper. Finally, marks were made with a fibre pen extending lines and detail beyond the photos and a small number of stitches were added to give texture. 

As seen in the gallery this time, Australian Landscapes I - IV* (apologies for the reflections) were the result. 

Details of each are shown below ...

Next is a new series of small abstracts developed from the photo taken in Darling Harbour that I used used for all my other work in this exhibition. I took these to a new level of abstraction and greatly simplified the images, experimenting with how far I could go and still retain a result with impact. I'll be interested to hear views on this!

(Herein lies an important photography lesson about making sure all the pieces in a series are hanging straight before taking a photo - ah well, too late now!)

Individual photos ... (Right clicking on each individual photo will give better sight of all the fine detail.)

Now I'm beginning to think where to go next, as, the more I work in this way, life without stitching and thinking about design is somehow not an option for me! It gives me purpose and pleasure - whether there is a pandemic with lockdowns or not - and seems to be a part of who I am.

*Some viewers who have been following this blog for a long time may recognise the Australian Landscape series from about 2016. It seemed apropriate to show them again in this new setting and in a slightly different format as they make links with current work. It turned out to be a popular choice!

An Artist's Book and Window Panes

This time, I'm posting three pieces with a very similar colour palette, all of which have imagery originating from the same high rise building in Sydney which has featured in all my most recent posts - but with colour manipulated. 

The first is the artist's book High Rise that I mentioned in the  last post.

This book includes a short piece of text hinting at the destruction of ancient ways of life which can occur when large modern cities proliferate without sufficient control over building and with limited respect for those already living there, perhaps for millennia. 

In case the text in the book is hard to read on screen, I've included it here. 

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High Rise 

                                                      Soaring shapes of steel                                                           

                                             Modern living in a box                                                 

Soaring shards of hardened steel and gleaming glass storeys high clean cut

Undeniable symbols of a future secured at cost the land ignored

The past eclipsed by archaeology of the most permanent most destructive kind ...

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Also included in this post are two digitally printed, stitched and framed pieces working around the reflections in high rise buildings. They are heavily stitched in the same limited colour palette mostly using two strands of  DMC and Anchor embroidery threads. 

Window Pane I and II ...

... and in detail ...

These were unfortunately photographed in the gallery and behind glass (apologies!) which has reduced the definition.

These pieces can all be seen in The Lansdown Gallery in Stroud up until (and including) Sunday 19th September. Details are given in the side bar of this blog. 

Brunel Broderers in Stroud

Brunel Broderers is currently showing work in the Lansdown Gallery, Stroud, under the title Inhabit.  Details of the exhibition can be found in the side bar of this blog. 

Members work in a variety of methodologies, although embroidery is generally at the centre of what we do. On show this time, there is a mix of wall work of different kinds and 3D installations. There are pieces on paper and card as well as on cloth. 

As I have explained in several previous posts, the work I am showing this time mostly explores the spectacular skylines of modern cities with their high rise office blocks and reflections. In the main, it was developed from a single photograph of a high rise building in Darling Harbour, Sydney, Australia. This photo was enlarged, manipulated, overlaid and cropped repeatedly in Photoshop.  

Three Towers 

Printed and cut card hand stitched together with thread

This small installation on glass contains imagery derived from reflections and also from the visible external structures which hold the building together. The text printed softly on the internal walls of the towers is from a small artist's book that I intend to show in my next post. 

However, despite the dramatic outward appearance of these exciting structures, there are hints throughout my work at the destruction of ancient ways of life when such modern development proceeds unrestrained. A circle stitched or printed into the work references this darker social history. 

Three Strips

Pieced from painted and printed fabric and hand stitched 

I had particular fun with a series of small card labels designed to hang and turn and with applied printed, cut and punched images back and front. This time the circle or part circle was the dominant form in each piece, with the reflection imagery from the Darling Harbour photograph contained within. 

Miniature Reflections 

A series of labels each with applied printed and cut card circles and part circles

Brunel Broderers is a group of textile artists and embroiderers (currently numbering 5) based in Gloucestershire and surrounding counties. I have now been a member for three years, although the group has a long history.  It is always a pleasure to exhibit with them. 

There will be more work to come in future posts ...