Sunday, 16 December 2012

Sandra Meech - Connecting Design to Stitch



At last I've found time for a proper read of Sandra Meech's lovely book, Connecting Design to Stitch, bought at the Festival of Quilts. There are some great exercises to try when I have the time to do them justice.

Arctic Snow  - Sandra Meech
(Reproduced with permission)
Meanwhile, I've been taking inspiration from the close-ups of the quilting lines she's used in the examples of her work. I particularly like Arctic Snow on P 21 for its simplicity and the way the eye is focused on the small area of strong colour and the movement and shape of the machine stitch.

Machine stitch sample
in my planning journal
If you've read my blog before you may know that the group I stitch with, Great Western Embroiderers, have an exhibition focusing on the Cotswolds coming up in the New Year. At the moment, ready for this, I'm working on a textile version of a geological section, representing the folds, faults and strata of the oolitic limestone. (This is not an original thought, I know.)

I'm finding it difficult as everything seems to become very linear and strip-like (no surprise really ...) . Making the work lively and with unexpected details is hard. I also tend to over-work things.

For better or worse, these are the results so far, in the order I did them. On each one, I've used a silk or cotton ground and painted the fabric with silk paints. Either before or after painting, I've machine quilted them.

Limestone layers with machine quilting and handstitch
ex[eriment and 8" square for group project
On the bright yellow one, I hand stitched with running stitches as it seemed to free things up and make the work look more unplanned and natural. As well as being a try-out, this will be my contribution to the group compilation of 8" squares.

Although I like the effect I've produced on it, I'm not sure it's going to be practical on a big piece like I'm planning. It will take ages. My dead-line to finish it is the of the middle of February and I have thoughts for THREE large pieces!


I always seem to have ideas beyond my ability to complete them.

I may have to think again.

Hand painted on a cotton ground
with lots of machine stitch, much
of it using distorted in-built stitches























Image taken from: Sandra Meech 2012, Connecting Design to Stitch, Batsford P21 - reproduced with permission from Sandra.

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